141. Most texts read Yudhaya Yujyaswa. A manuscript belonging to a friend of mine has the correction in red-ink, Yudhaya Yudhaya Yudhaywa. It accords so well with the spirit of the lesson sought to be inculcated here that I make no scruple to adopt it.
142. A life in this world that is subject to decay and death. So say all the commentators.
143. What Krishna seeks to inculcate here is the simple truth that persons who believe in the Vedas and their ordinances laying down specific acts for the attainment of a heaven of pleasure and power, cannot have the devotion without which there cannot be final emancipation which only is the highest bliss. The performance of Vedic rites may lead to heaven of pleasure and power, but what is that heaven worth? True emancipation is something else which must be obtained by devotion, by pure contemplation. In rendering Janma-Karma-phalapradam I have followed Sankara. Sreedhara and other commentators explain it differently.
144. This sloka has been variously rendered by various translators. It is the same that occurs in the Sanat-Sujata Parva of the Udyoga. (Vide Udyoga Parva, Section XLV). Both Sreedhara and Sankara (and I may mention Anandagiri also) explain it in this way. Shortly stated, the meaning is that to an instructed Brahmana (Brahma-knowing person and not a Brahmana by birth), his knowledge (of self or Brahma) teaches him that which is obtainable from all the Vedas, just as a man wanting to bathe or drink may find a tank or well as useful to him as a large reservoir of water occupying an extensive area. Nilakantha explains it in a different way.
145. Srotavyasya Srutasyacha is literally ‘of the hearable and the heard’, i.e., “what you may or will hear, and what you have heard.” European translators of the Gita view in these words a rejection of the Vedas by the author. It is amusing to see how confidently they dogmatise upon this point, rejecting the authority of Sankara, Sreedhara, Anandagiri, and the whole host of Indian commentators. As K. T. Telang, however, has answered the point elaborately, nothing more need be said here.
146. One may abstain, either from choice or inability to procure them, from the objects of enjoyment. Until, however, the very desire to enjoy is suppressed, one cannot be said to have attained to steadiness of mind. Of Aristotle’s saying that he is a voluptuary who pines at his own abstinence, and the Christian doctrine of sin being in the wish, mere abstinence from the act constitutes no merit.
147. The particle ‘he’ in the second line is explained by both Sankara and Anandagiri as equivalent to Yasmat. The meaning becomes certainly clearer by taking the word in this sense. The ‘he’, however, may also be taken as implying the sense of “indeed.”
148. Buddhi in the first line is explained by Sreedhara as Aintavishayak buddhi. Bhavanta Sreedhara explains, is Dhyanam; and Sankara as Atmajnanabhinivesas. K. T. Telang renders Bhavana as perseverance. I do not think this is correct.
149. Sankara, Anandagiri, and Nilakantha explain this sloka thus. Sreedhara explains it otherwise. The latter supposes the pronouns yat and tat to mean a particular sense among the Charatam indriyanam. If Sreedhara’s interpretation be correct, the meaning would be–“That (one sense) amongst the senses moving (among their objects) which the mind follows, (that one sense) tosseth the mind’s (or the man’s) understanding about like the wind tossing a (drunken boatman’s) boat on the waters.” The parenthetical words are introduced by Sreedhara himself. It may not be out of place to mention here that so far as Bengal, Mithila and Benares are concerned, the authority of Sreedhara is regarded as supreme.
150. The vulgar, being spiritually dark, are engaged in worldly pursuits. The sage in spiritual light is dead to the latter.
151. Prakritijais Gunas is explained by Sreedhara as qualities born of one’s nature such as Ragadveshadi. Sankara thinks that they are the qualities or attributes of primal matter (which enters into the composition of every self) such as Satwa, Rajas, and Tamas.
152. “Apply to work”, i.e. to work as prescribed in the scriptures. Thus says Sankara. “To morning and evening prayers, etc.” says Sreedhara.
153. Sacrifices Vishnu’s self as declared by the Srutis; work for sacrifice, therefore, is work for Vishnu’s sake or gratification. For the sake of that i.e., for sacrifice’s, or “Vishnu’s sake. So say all the commentators.
154. Bhavaya is explained by both Sankara and Sreedhara as Vradhaya or make grow. Perhaps, “rear” is the nearest approach to it in English. K. T. Telang renders it, ‘please.’ The idea is eminently Indian. The gods are fed by sacrifices, and in return they feed men by sending rain. The Asuras again who warred with the gods warred with sacrifices.
155. Parjjanya is explained by both Sankara and Sreedhara as rain. It means also the clouds or the origin of rain.
156. The word in the original that is rendered in the Vedas is Brahma. It may mean the Supreme Soul. Of course, in Brahmanic literature, the Vedas are Brahma and Brahma is the Vedas, but still in the second line of 15 there is no necessity of taking Brahma as equivalent to the Vedas, I do not think Telang is accurate in his rendering of this line.
157. The wheel referred to is what has been said before, viz., from the Vedas are work, from work is rain, from rain is food, from food are creatures, from creatures again work and so back to the Vedas.
158. The sense seems to be, as explained by the commentators, that such a man earns no merit by action, nor sin by inaction or omission. Nor is there anybody from the Supreme Being to the lowest creature on whom he depends for anything.
159. The example set by the great is always catching, Itaras, here, is Vulgar and not “other”. Kurute which I have rendered as “maketh” is used in the sense of “regardeth.” Pramanam, however, may not necessarily mean something else that is set up as an ideal. It may refer to the actions themselves of the great men set up by them as a standard.
160. Sreedhara would connect “in the three worlds” with what follows. I follow Sankara and the natural order of words.
