Chapter I
On the description of Prakriti
1. S’ri Nârâyana said :– This (Highest) Prakriti is recognised as five-fold. When She is engaged in the work of Creation, She appears as :– (1) Durgâ, the Mother of Ganes’a, (2) Râdhâ, (3) Laksmî, (4) Sarasvatî and (5) Sâvitrî.
2-3. Nârada replied :– O Thou, the best of Jñânins! Who is this Prakriti? (Whether She is of the nature of Intelligence or of matter?) Why did She manifest Herself and then again why did She reveal Herself in these five forms? And what are Her characteristics? Now Thou oughtest to describe the lives of all, the different modes of their worship, and the fruits that are accrued thereby. Please also inform me which Forms of them manifested themselves in which different places. Dost Thou please narrate to me all these.
4-18. Nârâyana said :– “O Child! Who is there in this world that can describe fully the characteristics of Prakriti! However I will describe to you that much which I heard from my own father, Dharma. Hear. The prefix “Pra” in the word Prakriti means exalted, superior, excellent; and the affix “Kriti” denotes creation. So the Goddess, the Devî Who is the most excellent in the work of creation is known as the Devî Prakriti. To come closer :– “Pra” signifies the Sattva Guna, the most exalted quality, “Kri” denotes the Rajo Guna and “Ti” denotes the Tamo Guna. (The Sattva Guna is considered as the Highest as it is perfectly clear and free from any impurities whatsoever; the Rajo Guna is considered intermediate as it has this defect :– that it spreads a veil over the reality of things, so as not to allow men to understand the True Reality, while the Tamo Guna is considered worst as it completely hides the Real Knowledge).
So when this Intelligence of the nature of Brahmâ, beyond the three attributes, gets tinged with the above three Gunas and becomes omnipotent, then She is superior (Pradhânâ) in the work of creation. Hence She is styled as Prakriti.
O Child Nârada! The state just preceding that of creation is denoted by “Pra”; and “Kri” signifies creation. So the Great Devî that exists before creation is called Prakriti after creation. The Paramâtmâ by His Yoga (i.e., Mâyâ S’akti, the Holy Ghost) divided Himself into two parts; the right side of which was male and the left side was the female Prakriti.
(Note :– The Holy Ghost is the principle of Conception and Emanation, Creation). So the Prakriti is of the nature of Brahmâ. She is eternal. As the fire and its burning power are not different, so there is no separate distinction between Âtman and His S’akti, between Purusa and Prakriti. Therefore those that are foremost and the highest of the Yogis do not recognise any difference between a male and a female. All is Brâhman. He is everywhere as male and female forever. There is nothing in this world that can exist for a moment even without this Brâhman consisting of male and female. (i.e. they are Brâhman with Mâyâ manifested). Out of the Will of S’rî Krisna, to create the world Whose Will is all in all, came out at once the Mûlâ Prakriti, the Great Devî Îs’varî, (the Lady Controller of the Universe) Brahmâ with Mâyâ in a state of equilibrium). By Her command came out five Forms of Her, either for the purpose of creation or for bestowing Favour and Grace to the Bhaktas (devotees). Durgâ the Mother of Ganes’a, comes, as the first, the most auspicious, loved by S’iva. She is Nârâyanî, Visnu Mâyâ, and of the nature of Pûrna Brahmâ (the Supreme Brahmâ). This eternal, all auspicious Devî is the Presiding Deity of all the Devas and is, therefore, worshipped and praised by Brahmâ and the other Devas, Munis, and Manus. This Bhagavatî Durgâ Devî, (when She gets pleased) destroys all the sorrows, pains and troubles of the Bhaktas that have taken Her refuge, and gives them Dharma, everlasting name and fame, all auspicious things and bliss and all the happiness, nay, the Final Liberation! She is the Greatest Refugeof these Bhaktas that come to Her wholly for protection and are in great distress, whom She saves from all their dangers and calamities. In fact, know this Durgâ Devî as, verily, the Presiding Deity of the heart of Krisna and as His Highest S’akti, of the nature of the Holy Fire and the Holy Light. She is Omnipotent and resides always with Krisna, the Great God. She is worshipped by all the Siddha Purusas (those that have attained success); the (eighteen) Siddhis all go to Her and when pleased She gives whatever Siddhis (success) that Her Bhaktas want.
19-40. This Great Devî is the intelligence, sleep, hunger, thirst, shadow, drowsiness, fatigue, kindness, memory, caste, forbearance, errors, peace, beauty, and consciousness, contentment, nourishment, prosperity, and fortitude. She is sung in the Vedas and in other S’âstras as the Mahâ Mâyâ, of the nature of the Universe. In reality, She is the All-S’akti of the Universe and She is the S’akti of Krisna. All these qualities are also mentioned in the Vedas. What is mentioned here is a tithe merely, in comparison to that of the Vedas. She has infinite qualities. Now hear of other S’aktis. The second S’akti of the Paramâtman is named Padmâ (Laksmî). She is of the nature of S’uddha Sattva (Higher than Sattva Guna) and is Krisna’s Presiding Deity of all wealth and prosperity. This very beautiful Laksmi Devî is the complete master of the senses; She is of a very peaceful temper, of good mood and all-auspicious. She is free from greed, delusion, lust, anger, vanity and egoism. She is devoted to Her husband and to Her Bhaktas; Her words are very sweet and She is very dear to Her husband, indeed, the Life and Soul of Him. This Devî is residing in all the grains and vegetables and so She is the Source of Life of all the beings. She is residing in Vaikuntha as Mahâ Laksmî, chaste and always in the service of Her husband. She is the Heavenly Laksmî, residing in the Heavens and the royal Laksmî in palaces and the Griha Laksmî in the several families of several householders. O Nârada! All the lovely beauty that you see in all the living beings and all the things, it is She; She is the glory and fame of those that have done good and pious works and it is She that is the prowess of the powerful kings. She is the trade of merchants, the mercy of the saints, engaged in doing good to others and the seed of dissensions in those sinful and vicious persons as approved of in the Vedas. She is worshipped by all, reverenced by all. Now I will describe to you about the third S’akti of the Great God who is the Presiding Deity of knowledge, speech, intelligence, and learning. This third S’akti is named Sarasvatî. She is all the learning of this endless Universe and She resides as medhâ (intelligence) in the hearts of all the human beings; She is the power in composing poetry; She is the memory and She is the great wit, light, splendour and inventive genius. She gives the power to understand the real meaning of the various difficult Siddhânta works; She explains and makes us understand the difficult passages and She is the remover of all doubts and difficulties. She acts when we write books, when we argue and judge, when we sing songs of music; She is the time or measure in music; She holds balance and union in vocal and instrumental music. She is the Goddess of speech; She is the Presiding Deity in the knowledge of various subjects; in argumentations and disputations. In fact all the beings earn their livelihood by taking recourse to Her. She is peaceful and holds in Her hands Vînâ (lute) and books. Her nature is purely Sâttvic (S’uddha Sattva), modest and very loving to S’rî Hari. Her colour is white like ice-clad mountains, like that of the white sandal, like that of the Kunda flower, like that of the Moon, or white lotus. She always repeats the name of Paramâtmâ S’rî Krisna while She turns Her bead composed of jewels. Her nature is ascetic; She is the bestower of the fruits of the ascetism of the ascetics; She is the Siddhi and Vidyâ of all; She grants always success to all. Were She not here, the whole host of Brâhmins would always remain speechless like the dead cluster of persons. What is recited in the Vedas as the Third Devî is the Holy Word, The Third S’akti, Sarasvatî. Thus I have described Her. Now hear the glories of the other Devî in accordance with the Vedas. She is the mother of the four colours (castes), the origin of the (six) Vedâmgas (the limbs of the Vedas and all the Chhandas, the Seed of all the mantrams of Sandhyâ vandanam and the Root, the Seed of the Tantras; She Herself is versed in all the subjects. Herself an ascetic, She is the Tapas of the Brâhmins; She is the Tejas (Fire) and the caste of the Brâhmin caste and embodies in Herself all sorts of Samskâras (tendencies; inclinations); She is the Japam. Pure, known by the names of Sâvitrî and Gâyatrî, She resides always in the Brahmâ Loka (the Sphere of Brahmâ) and is such as all the sacred places of pilgrimages want Her touch for their purification.
41-47. Her colour is perfectly white like the pure crystal. She is purely S’uddha Sattva, of the nature of the Highest Bliss; She is eternal and superior to all. She is of the nature of Para Brahmâ and is the bestower of Moksa. She is the Fiery S’akti and the Presiding Deity of the Brahmâ Teja (the fiery spirit of Brahmâ, and the Brâhmanas). The whole world is purified by the touch of Whose Feet, this Sâvitrî Devî is the Fourth S’akti. O Child Nârada! Now I will describe to you about the Fifth S’akti, the Devî Râdhikâ. Hear. She is the Presiding Deity of the five Prânas; She Herself is the Life of all; dearer than life even to S’rî Krisna; and She is highly more beautiful and superior to all the other Prakriti Devîs. She dwells in everything; She is very proud of Her good fortune (Saubhâgyam); Her glory is infinite; and She is the wife, the left body, as it were, of S’rî Krisna and She is not in any way inferior to Him, either in quality or in the Tejas (Fiery Spirit) or in any other thing. She is higher than the Highest; the Essence of all, infinitely superior, the First of all, Eternal, of the nature of the Highest Bliss, fortunate, highly respected, and worshipped by all. She is, the Presiding Devî of the Râsa Lîlâ of S’rî Krisna. From Her has sprung the Râsa mandalam and She is the Grace and the Ornament of the Râsa mandalam (the dance in a circle in Râsa).
[Note :– Extracts from a paper on Creation as explained by Hon’ble Justice Sir G. Woodroffe.
